Within the zeitgeist of pop culture, only a few major moments transcend beyond the fashion bubble into the mainstream—Takashi Murakami’s collaboration with Louis Vuitton two decades ago was one of them. Taking up paparazzi shots, red carpet ensembles and screentime on noughties classic Mean Girls the collaboration caused a seismic shift across fashion, art and pop culture. Murakami’s adorable Neo-Pop style momentarily shattered the once-hoity-toity reputation of high fashion, blurring the lines between refinement, legacy and ubiquity. Under former creative director Marc Jacobs’ vision, Murakami’s work for Vuitton has witnessed a lasting impact on the public consciousness—evident through the bootleg renditions on MySpace layouts and offerings along Canal Street and its global counterparts even long after the initial collaboration has ended. It was kitsch, it was camp, it was undeniably Vuitton.  

Fifteen years since their last collaboration, Murakami returns to the Maison to present 200 renditions of iconic silhouettes that bear his Superflat, pop art style. Demonstrating a shared artistic vision and love for craftsmanship, these creations are more than mere reissues. Their most recognisable Monogram Multicolore, makes a triumphant comeback in all its 33-shade glory. With advancements in savoir-faire and technology, colours and details are now presented in greater detail. Against a white or black base, the interlocking LV and floral motifs adorn many of Vuitton’s emblematic silhouettes such as the Keepall and Speedy to popular women’s leather goods like the Coussin, Dauphine and OnTheGo. 

This year, Murakami introduces new elements like the Superflat Panda and Superflat Garden into the Louis Vuitton universe. Beloved and instantly recognisable, these characters imbue the Maison’s signature City Bags and accessories with a playful, whimsical spirit. From sneakers and perfume bottles to exceptional pieces like a black skaeboard and a made-to-order Malle Wardrobe, complete with 33 Speedy bags. Still highly coveted by archivists, the iconic Cherry Blossom motif can be found on a majestic Courrier Lozine 110 Fleurs trunk. 

Undeniably, the Japanese maestro casts an immediate air of approachability that breaks up the idea of what luxury means, with his bright poppy motifs—a jovial attitude akin to pinning a child’s treasured drawing to a fridge. Bound to be a hit among nostalgia-tinted enthusiasts, including those who were too young to experience the initial pandemonium firsthand, the novelty of something fun that puts a smile on the face never gets old. The collection is now available to order worldwide, starting 1 January 2025.

Once you are done with this story, click here to catch up with our December/January 2025 issue.